Sunday, March 29, 2015

Feminist plays

The Devil’s Gateway by Sarah Daniels

“Second floor flat in Bethnal Green, and the world is looming large over the lives of Betty and her neighbours. If it's not Social Services, then it's Social Security; if not's unemployment, then it's the bomb. Betty and her old friend Enid, who is trapped in an abusive marriage, are mirrored across town by Enid's daughter Linda, and Linda's lover Fiona, while Betty's daughter Carol tries and fails to duck in and around the whims of her bullying husband.
And all the while on Greenham Common, women are taking action. Against the bomb; and against the patriarchal system that would drop it. We're used, Daniels writes, to seeing men go off to war but we should get used to women going off for peace.
The Devil's Gateway was first performed at the Royal Court Theatre, Upstairs, London, in 1983.”

Cloud Nine by Caryl Churchill

“Churchill’s wickedly comic and compassionate study of sexual politics glimpses the relationships of a family and their lovers, with an interval of twenty-five years of their lives, and around a hundred years of history.
Highlighting the parallels of sexual and colonial oppression, the first act is set in a British colony in Africa in Victorian times. Clive is the traditional colonial patriarch, proud of his perfectly domesticated wife and black servant (‘played by a man’ and ‘played by a white’ respectively), and striving conscientiously to ensure his son and daughter play with gender appropriate toys. But furtive adultery and secret homosexuality threaten to subvert the moral order of the household.
The second act finds some of the same characters living in 1979, twenty-five years older and played by different actors, finding new liberations in bisexuality and polyamory, but finding new anxieties about gender and fulfilment. The intricacies of these relationships and the play’s doubling create a complex and moving account of the multiplicity of individual sexualities.

Cloud Nine was first performed in 1979 at the Dartington College of Arts, before touring and transferring to London.”

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